Site and Time Specificity In the Performance of Live Electronics

  • Theodoros Lotis Ionian University
Palavras-chave: Site specific, time specific, performance, sound art, live electronics, concert venues. Arte sonora, eletrônicos em tempo real, espaços de concerto.

Resumo

ABSTRACT This article examines the adaptation of site and time specific processes in the performance of live electronics. A worked example of a site and time specific concert in a public bus is provided, allowing for evaluation of performative methods and techniques. RESUMO Este artigo examina a adaptação de processos site specific e time specific na performance com eletrônicos em tempo real. É fornecido um exemplo trabalhado de um concerto site specific e time specific num ônibus público, o qual permite a avaliação de métodos e técnicas performáticas.

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Biografia do Autor

Theodoros Lotis, Ionian University
Theodoros Lotis studied the guitar, flute, music analysis, electroacoustic composition, fine arts and sciences of art in Greece, Belgium and the UK. His music has been performed at festivals and conferences in Europe, Australia, America and Asia, and has received a number of awards and distinctions at Bourges (France, 2000), Sculpted Sound Composers Competition (UK, 2000), Metamorphoses (Belgium, 2000, 02), Luigi Russolo (Italy, 2000, 02), CIMESP (Brasil, 2001) and and Jeu de temps / Times Play (UK/Canada, 2002). He was awarded the first prize at the Concours International de Spatialisation pour l
Publicado
2016-10-13
Como Citar
Lotis, T. (2016). Site and Time Specificity In the Performance of Live Electronics. OuvirOUver, 12(1), 74-84. https://doi.org/10.14393/OUV18-v12n1a2016-5
Seção
Dossiê Música Eletroacústica / Música e Tecnologia